Cartoon Modern

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Amid Amidi’s recent book, Cartoon Modern, is a brilliant and compelling collection of mid-century animation design. Chock full of bold and crisp images of conceptual art, layouts, backgrounds, character designs, model sheets and painted cels, Cartoon Modern gives the reader a solid reason for taking a second look at this unique era in animation design. All the usual suspects are present: UPA, Disney, Warner Bros., MGM, but Amid doesn’t stop with the majors. Included are a string of smaller studios that exhibited equally specialized skills and contributed in unique ways to the art-form during the decade; studios such as Terrytoons, Pintoff Productions, Creative Arts Studio, John Sutherland Productions, Storyboard, and many more. To both the educated animator and the uninitiated, Cartoon Modern is a revelation.

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As I was reading the book, it dawned on me just how limited our views are on 50’s animation design. I’ve often come across people who generalize the era as being “UPA-ish.” When, in fact, it clearly is not. If you thumb through the pages of Cartoon Modern, you’ll see just how diverse and experimental the artists were at each studio. And even within UPA itself, it can’t be said that there was a uniform, “house style.” In the introduction of the UPA section of the book, Amid quotes Catherine Sullivan in American Artist when she describes the studio’s style as “a way of seeing, an attitude, a feeling that each story idea deserves its own most effective expression in terms of visual treatment, sound, music, or whatever is required.” Even though she is describing UPA specifically, that interest in discovery and exploring new approaches is consistent in the best of 50’s animation, regardless of studio.

A nice touch near the back of the book is a “Yearbook,” featuring photos of most of the artists, animators, designers, story artists, illustrators and studio heads who were mentioned in the book. In fact, you can see all the photos (and more) in a Flickr photoset HERE.

To learn more about the book, visit Amid’s Cartoon Modern blog, complete with more insight about the creators and animators that are featured in the book, as well as more images, paintings, and photos. Both blog and book are an incredible account of a decade that took chances in animation design. Highly recommended.

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4 Comments

  1. mramidi says:

    Thanks for the review, Ward! An honor to be featured on Drawn. But you didn’t link to your other review of my book :-)

  2. Ward says:

    Ha! Well, that’ll be in the special edition version of this post. Which will come once I post another Ottawa post…sometime soon.

    And you’re very welcome, Amid for the mention here. The book is very well worth it. Amazing job, man!

  3. hannahjayn452 says:

    Wow! Ward i was just in a bookstore today – picked this book up and went “huh… this looks like a book that ward guy from ward-o-matic would like”
    and i get home and heres a post about it! It looks like a fantastic book – even from a non animator’s standpoint!

    your blog – as well as drawn, both are crazy inspirational! so thanks for all you write and post!

  4. james says:

    Being that there is an animation studio a block away from my local comic shop, those pesky animators are snapping up this book as soon as it hits the shelves. I’m so jealous, I’ve been trying to get this book for months.

    Thanks for the review! This book certainly deserves the plug.

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