I’m at ICON in LA, and if you’re in the area you really ought to try and get in to one of the events.
At the book table, I was really excited to find this textbook for drawing by Michael Fleishman. As someone who has taught drawing in the past and may do so again in the future, I have to say there are very few textbooks I would recommend. Instructional books have never been terribly exciting – you best learn to draw by drawing, in my opinion, and the old classics like The Natural Way to Draw and Drawing on the Right Side of the Brain are still good. But kinda boring.
Fleishman’s book is for illustrators, for a start. Secondly, it isn’t one person’s magic-bullet how-to book. It’s more a compendium of advice from dozens of contemporary illustrators, using their words. Third, there are billions of images in all styles – from the high realism of the cover image (by David Bowers) to the best crudest sketch to the most wacked out stuff. Fourth, although it features work and words from some of the current hottest illustrators, it isn’t limited to them. There’s input here from every kind of illustrator, many of them instructors. While the general flavor is “American” looking, it includes artists from all over the world. Finally, this is the ultimate how-to book for people who hate reading, typeset with lots of headings with text broken up in swallowable amounts, that you can open it at random, scan, and get something out of.
Although it offers the most to those who know the least, I also found it interesting to read what people I know are saying about their own work. Perhaps the most fabulous aspect of the book is that it imparts not just great tips and approaches to drawing, but it communicates a way of life. It has things to say about Fulfillment. For people like us who live and breathe the making of images, and want to learn more or initiate someone else into this life, this is the illustrator’s guide to the galaxy.
UPDATE
There was a request for me to post some shots of the page layouts, so with Michael Fleishman’s input I selected the following:
As you can see, there’s a great balance of images and text, and a variety of images. I especially like the headphone girls there by Yuko Shimizu. And each chapter ends with a summary and ideas for exercises.