By all means, please check out Le Papillon, this absolutely gorgeous animated short film by animators Antoine Antin & Jenny Rakotomamonjy. Animated watercolors and sumi brushwork never looked so good.
That film was absolutely incredible. It pushes all of my buttons. I wonder what tools they used to make it. I’ve tried to do sumi-e ink painting in Photoshop and Painter, but was never happy with the results.
http://www.friendlyartist.com david
That film was absolutely incredible. It pushes all of my buttons. I wonder what tools they used to make it. I’ve tried to do sumi-e ink painting in Photoshop and Painter, but was never happy with the results.
http://www.raydillon.blogspot.com/ Ray Dillon
Wow. That’s just beautiful. Really makes me want to figure out Animation.
http://www.typephases.com/ Joan M. Mas
Aaaah, certainly delicious. Note that you can create this kind of artwork digitally, with tools like the excellent Creature House Expression (now fagocited by Microsoft and available as Microsoft Acrylic.)
http://www.raydillon.blogspot.com Ray Dillon
Wow. That’s just beautiful. Really makes me want to figure out Animation.
http://www.typephases.com Joan M. Mas
Aaaah, certainly delicious. Note that you can create this kind of artwork digitally, with tools like the excellent Creature House Expression (now fagocited by Microsoft and available as Microsoft Acrylic.)
http://www.cabanadigital.com/ Pati @-;–
Lovely characters… touching story… and, of course, the illustrations and the animation are wonderful. You almost can feel the texture of the watercolor paper… and, the candles… wow! Bravo!
http://www.cabanadigital.com Pati @-;–
Lovely characters… touching story… and, of course, the illustrations and the animation are wonderful. You almost can feel the texture of the watercolor paper… and, the candles… wow! Bravo!
http://wardomatic.blogspot.com/ Ward
Looks to me that the backgrounds are 100% pure watercolor paintings. There’s something about real watercolors that even the mighty Painter program can’t even aspire to. As for the ink lines in the characters, that looks like brush pens, similar to the now-discontinued black Sakura sumi brush. I still have a couple of those pens lying around, but I try not to use too much of the ink, so as to conserve. As for the painting of the characters themselves, that looks to me some sort of Painter effect. Not sure, though.
http://wardomatic.blogspot.com Ward
Looks to me that the backgrounds are 100% pure watercolor paintings. There’s something about real watercolors that even the mighty Painter program can’t even aspire to. As for the ink lines in the characters, that looks like brush pens, similar to the now-discontinued black Sakura sumi brush. I still have a couple of those pens lying around, but I try not to use too much of the ink, so as to conserve. As for the painting of the characters themselves, that looks to me some sort of Painter effect. Not sure, though.
Antoine Antin & Jenny Rakotomamonjy’s serene animated 2002 short which achieves the illusion of watercolor and ink on textured heavy paper. Le Papillon [aantin.com] Via Drawn…
“Le Papillon” ist ein wunderbar animierter Kurzfilm aus der Hand von Antoine Antin & Jenny Rakotomamonjy.
link – (quicktime) (via drawn!)
…
http://blackwingdiaries.blogspot.com/ Jenny
What a beautiful job. Kudos all ’round.
Ward is right about the effect of watercolor–and watercolor paper; however the effect is achieved, it’s viscerally lovely.
http://blackwingdiaries.blogspot.com/ Jenny
What a beautiful job. Kudos all ’round.
Ward is right about the effect of watercolor–and watercolor paper; however the effect is achieved, it’s viscerally lovely.
http://pigpen.info/index.php?p=2264 Pig Pen » le Papillon – its an adventure
Very Cool. as for speculation, that ink brush stroke look can easily be acheived in Adobe Illustrator and imported into a program such as flash. That’s not to lessen the skill or artistry that went into this film. it’s a brilliant piece of animation.
http://chiacheese.blogspot.com chia
Very Cool. as for speculation, that ink brush stroke look can easily be acheived in Adobe Illustrator and imported into a program such as flash. That’s not to lessen the skill or artistry that went into this film. it’s a brilliant piece of animation.
http://www.betteroffed.com/?p=124 betteroffed » Le Papillon
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http://estetykajaponska.blox.pl/html yuugen
I know some sumi painting, but I haven’t had an idea that it is possible to do with it such a beautiful thing! thanks a lot!
http://estetykajaponska.blox.pl/html yuugen
I know some sumi painting, but I haven’t had an idea that it is possible to do with it such a beautiful thing! thanks a lot!
http://www.aantin.com/ aantin
thank you all for your comments !!!
to answer to some of your questions about tools, backgrounds are 100% watercolor, and animation was traditionally hand-drawn and then Frank Millet has inked every single rough drawing with brush… we just used computer for compositing…
thank you for all the people who worked on it… thanks to all !!!
antoine.
(sorry for my english if it isn’t good enough)
http://www.aantin.com aantin
thank you all for your comments !!!
to answer to some of your questions about tools, backgrounds are 100% watercolor, and animation was traditionally hand-drawn and then Frank Millet has inked every single rough drawing with brush… we just used computer for compositing…
thank you for all the people who worked on it… thanks to all !!!
antoine.
(sorry for my english if it isn’t good enough)
http://wardomatic.blogspot.com/ Ward
Antoine, your english was perfect, just like your film! Thanks for stopping by to give us some details to how you did it, and a BIG thanks for creating such a wonderful film. Keep it up!
http://wardomatic.blogspot.com Ward
Antoine, your english was perfect, just like your film! Thanks for stopping by to give us some details to how you did it, and a BIG thanks for creating such a wonderful film. Keep it up!
http://dekku.blogspot.com/2005/12/le-papillon.html No Fat Clips!
Le Papillon
A story of honor and love that goes beyond life and death, set in the feudal Japan.
http://www.friendlyartist.com/ david
aantin:
Thanks for the response.
I spent way too much time flipping through your film one frame at a time trying to figure out how the brush effect was achieved. I’ve used computer tools, like the calligraphic brush in illustrator and the object brushes in Expression, but the control and naturalness of the brushwork in the film was orders of magnitude better than I had ever seen done with a digital tool.
It was driving me crazy. It’s like someone had inked every frame by hand! But that’s just nuts… :)
Tell Mr, Millet that he did a wonderful job with the brushwork (as did everyone who worked on this film.)
http://www.friendlyartist.com david
aantin:
Thanks for the response.
I spent way too much time flipping through your film one frame at a time trying to figure out how the brush effect was achieved. I’ve used computer tools, like the calligraphic brush in illustrator and the object brushes in Expression, but the control and naturalness of the brushwork in the film was orders of magnitude better than I had ever seen done with a digital tool.
It was driving me crazy. It’s like someone had inked every frame by hand! But that’s just nuts… :)
Tell Mr, Millet that he did a wonderful job with the brushwork (as did everyone who worked on this film.)
http://www.aantin.com/ aantin
Hi everyone !
david: “It’s like someone had inked every frame by hand! But that’s just nuts… :)”
that’s it !!! Frank has used traditional brush on paper… this guy is incredible, he was working around 30 or 50 drawings a day !!! it was not digital brush !!! I insist :)
http://www.aantin.com aantin
Hi everyone !
david: “It’s like someone had inked every frame by hand! But that’s just nuts… :)”
that’s it !!! Frank has used traditional brush on paper… this guy is incredible, he was working around 30 or 50 drawings a day !!! it was not digital brush !!! I insist :)
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