The more I see of Pixar’s Ratatouille the more excited I am to see it. Perhaps I’m still suffering from withdrawal symptoms from not giving a rat’s ass (pardon the pun) about Cars. Yeah, I know, Pixar’s the king of story-telling and strong characters, but still — talking cars.
Every time a new animated feature is released, you can bet there’ll be the ubiquitous “Art of” book along with it. I regularly gobble these books up, because even when the movie isn’t great, a nice heavy book of glossy concept art just can’t be beat (heck, I even bought the one for Robots).
What’s particularly great about Pixar’s books is that they clearly demonstrate the amount of thought, detail, and stylistic cohesiveness that go into establishing the films’ looks from the earliest stages. The Art of Ratatouille may be my favourite yet.
It wasn’t long ago that human skin, delicate foods, and other things that require the most subtle and translucent interactions with light were difficult if not impossible to render convincingly. Now that Pixar no longer has to worry about whether they can render certain things, they are clearly spending their time making things look as lush and beautiful as possible. The book is loaded with some of the most stunningly warm, glowing concept art I’ve seen by the likes of Dan Lee, Nate Wragg, Peter DeSeve, Carter Goodrich, and many more. And if you watch the 9-minute sneak preview of the film, it’s clear they were able to translate that lushness from paper to screen. All this plus Patton Oswalt? June 29th can’t come soon enough.
Previously: Ratatouille trailer and interview with Brad Bird