Upon the release of every Pixar movie, I look forward to the subsequent Art of book. I am eagerly awaiting the release of Wall-E (robots!) and was equally excited for its own book of production art.
The Art of Wall-E seems, to me at least, a bit of a departure from previous Pixar Art of books. Those books were filled with all sorts of different character designs in wildly varying illustration styles. Perhaps I shouldn’t expect the same from a film that is centered around a lone robot inhabitant on a desolate planet, but apart from a few notes about how the character was inspired by R2-D2 and a pair of binoculars, the book features nearly zero preliminary character designs for the titular droid. It’s as if the character was invented fully formed.
The book still features plenty of storyboard sequences, lush concept paintings, and the colour studies you’ve come to expect from these books, but I could have used more robots! Robots!
For robot art, I’ll have to turn to the tie-in book, Lots of Bots. The always-stellar Grain Edit recently posted an interview with illustrator Ben Butcher, who shared some behind-the-scenes looks at his insane cut-n-paste working process:
Previously: The Art of Ratatouille